Sui Zhen Mirror.jpg“Perfect Place” is a track from a new album from Melbourne electronic pop artist Sui Zhen. It’s futuristic arpeggiated electronic conceptual art-pop; part anthromorphic AI robot, part human, and, on “Perfect Place” at least, part Tom Tom Club too.

Sui Zhen (pronounced Sue-ee Chen) is an experimental pop and performance artist exploring the intersections between human life and technology – how to exist in the digital age, as well as the ways in which we risk losing true sight of ourselves in the process. The album “Losing, Linda” is due out in September.

“It’s an album about missing people after they are gone and trying to pre-empt loss – not only loss of life, but memory and information,” Sui Zhen explains. “I see it mirrored in our increasing need for data storage. Why are we collecting and documenting so much, anyway?” “It’s also a simple ghost story about being haunted by our other versions and our past selves,” she continues. “Our mothers, fathers, ancestors – that possibility that another may exist, intangible in the physical realm, but ever present in memory, so long as memory functions.”

The album-release promises to be more than just music though. The album will also be accompanied by what is described intriguingly as “a digital ecosystem.” There’s a disorienting preview of what that may be like in this Sui Zhen audio-visual web installation here and a perfectly disturbing video for the song too:

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