Archives for posts with tag: Twerps

Salad BoysChristchurch guitar trio Salad Boys released their second album “This Is Glue” in January. Here’s “Under The Bed” from it:

Salad Boys is led by guitarist, vocalist and songwriter Joe Sampson, once of noisey Christchurch trio T54. Salad Boys is the more reflective side of Sampson’s considerable guitar-playing and songwriting talent, though the album still packs plenty of over-driven riff-rock (check the opening “Blown” Up” and then “Psych Slasher” for high-octane thrills).

Anyone raised on a steady diet of chips, beer and guitar bands over recent decades will recognise the compass points locating their sound. Much has been made of their local influences from that cold damp city 5 hours drive south of their quake-munted Christchurch home. But as much as you can maybe hear a bit of The Clean/ Great Unwashed in the strum and jangle I’d be inclined to pick another Dunedin band Bored Games as a better local touchstone when the amps are cranked here.

But even that is still a red herring I reckon. The varied guitar styles and noisy pop hooks comprising much of “This Is Glue” is actually much more in the style of North American bad boys like The Replacements and their ilk. As a result they sound more like they belong among the current crop of fine Australian guitar bands (The Stevens, Twerps, Woollen Kits et al.) who also seem to have assimilated that same perfect odd-combo of ’80s kiwi drone jangle and more polished North American guitar pop.

Either way, this is a cracking album with a fine balance between visceral riff rock and delicate reflective folk pop (refer “Going Down Slow” towards the end of the album). Recommended to track down in its vinyl LP format too.

 

 

Free Time US

Free Time (NYC line-up)

More magic from favourite Australian label Bedroom Suck Records, now relocated from Brisbane to Brunswick, Melbourne, surely the hot-bed of Aussie independent music right now.

This time it’s a band called Free Time, operating between Melbourne and New York with a different line-up for each country. Anyway, here’s the bouncing guitar pop of “Among the Reeds” to set you on the path of discovery.

Free Time is/are the band/s of Dion Nania. The self-titled first album by Free Time was recorded in New York in 2013 with Free Time’s US line-up. Now the second album “In Search of Free Time” has been recorded by the Australian line-up in Melbourne. Fair enough.

Joining Nania as Free Time in Australia, and on this album, is Martin Frawley (Twerps), Zachary Schneider (Totally Mild) and Joe Alexander (Terrible Truths).

As you can tell from this first song from the album, it contains a familiar Australian gallop, evoking memories of classic Aussie guitar pop through the ages while also offering a giddy combination of some element of the sound of all the bands above, even down to Joe Alexander’s restless rhythmic tumbling drumming.

The album is varied and repays repeated listening. There’s a bit of everything, from rambunctious loose-limbed eager strums to the reflective and delicate weaving of lead guitar and rhythm guitar. Worthwhile seeking out the LP version.

Free Time Australia

Free Time (Melbourne version)

Boomgates

Day 7 of the unofficial Australian Music Month takes us back to Bedroom Suck Records for Boomgates ‘Whispering or Singing’ from their ‘Double Natural’ album.

Boomgates draw together people from a variety of great Australian underground bands – Eddy Current Suppression Ring’s Brendan Huntley, Twerps Rick Milovanovic and Dick Diver’s Steph Hughes. They’ve also done a split 7″ with The Bats recently.

The album is a great rough thrash of guitars bass & drums part Velvet Underground, part The Clean, and part Feelies staccato-strum. The voices alternate between braying ‘strine (I mean that in a good way) and Steph’s more melodic singing. The contrast between the two is perfect here.

The album packs a naturalistic punch – a clean and real recording, with stories and laconic voices reflecting unpolished suburban Australia (Melbourne in the case of Boomgates), and echoes of early Paul Kelly as much as beloved Australian storytellers The Go-Betweens.

Boomgates – Whispering or Singing from Powers of Ten on Vimeo.