Archives for posts with tag: strathcona pl

DSC07972Continuing PopLib’s  send as a gift tips for the month with the aching, mysterious dark beauty of stratchcona pl and “sadder endings” from the “holds and releases” EP:

While the sense of desolation, betrayal, loss and grief is palpable throughout this compelling EP it conveys a sense of “getting-through-this” rather than despair so essentially reflecting optimism with a collection of songs of sparse crafted beauty.

From the EP notes on Bandcamp:

“strathcona pl is crafting their silhouette in this balance of precision and distance. Just the name “Strathcona” seems so inhabitable and mappable: a suburb, a neighbourhood, a house. But as “strathcona” improper, where are we? We are drawn back into that same unsureness which permeates the artist’s characteristic sound. If “strathcona” isn’t a location or a proper noun, it must be an adjective; a feeling; a name to behold and release, then hold again.”

Recommended for – yourself…. Or to send as a gift to anyone else who needs it.

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Strathcona BandcampEveryone likes a mystery, right? Well here’s something mysterious and new from Dunedin. All we have is a song called “Seams” on Bandcamp and the band/ performer name strathcona pl.

An EP is promised in the future. Adding to the intrigue is that “Seams” is so good it draws you back to listen again and again to try to find clues in the DNA of the music because music can’t exist in a vacuum, it must come packaged with information – knowledge about its creator.

“Everything and everyone’s falling apart” observes the chorus over and over again before adding “in my dreams” and you really want to write down all the lyrics to try to decipher meaning from them but you also know this this would break the spell of only half-hearing these anxiety dream lines.  So, let’s instead focus on the music, because it’s a little unusual and just a bit intriguing, not sounding much like anything we’ve heard around the streets of this town recently.

The minimal-yet-complex interwoven guitar/ bass/ drum sound, staccato chop of the guitar and bass and the hushed vocals here remind me of Young Marble Giants.   But there’s other interesting undertones throughout which offer even more intriguing Post-Punk influences or perhaps just coincidences. The guitar playing and chord changes – those descending lines at the end of the chorus in particular – seem to carry a faint sonic smudge of a track off an early Cure album perhaps (circa “A Forest”).

So it’s a little bit folk, a little bit Gothic, some Post-Punk DIY or maybe even New Wave. And as much as it may carry these early 1980s UK echoes, it also hints at the folk-rock intimacy of The Spinanes (on Seattle label Sub-Pop’s 1990s roster) or the more DIY folk/ punk attitudes of artists on nearby K Records ‘International Pop Underground’ at the same time. So it’s all these things and yet, because it’s from Dunedin in 2017, it’s none of these things.

Finally, a search of Wikipedia helpfully informs us that Strathcona is an invented name from the 19th century, a way of referencing Glen Coe (Glencoe) in Scotland in a way that avoided any word-association with “massacre” and used by its creator as a place name across Canada. The ‘pl’ suffix could be an abbreviation of place, or Public Library.

So now we know everything, and yet we still know nothing at all.