Archives for posts with tag: Negative Nancies

Our Day 30 song for 31 Days of May Madness, attempting to post a New Zealand track every day of the month of May, is Negative Nancies with “What Would John Say”:

Some of the Dunedin songs posted this month have had a hint of anarchic anything-goes punk and Weird Dunedin, and Casio-powered Negative Nancies are another from that realm. “What Would John Say” is from the Dunedin trio’s not-quite-fully-released-yet first album “Heatwave”.

Its full release may have been complicated by uncertain pandemic manufacturing and freighting logistics, but almost everything else about the band and the album is unconventional and unpredictable so dive in and weird out. Check their thrilling 2018 12” EP “You Do You” as well.

Negative Nancies are Tess Mackay (Casio, vocals), Emilie Smith (drums, vocals), and Mick Elborado their wired guitar+feedback sonic alchemist. They are an intergenerational amalgam of musical explorers from different scenes, with Mick part of many great bands like The Terminals, Scorched Earth Policy and The Shallows released on Flying Nun Records in the 80s.

Negative Nancies

Our day 13 song for New Zealand Music Month 2020 is “The Dogs” from Dunedin art-pop punks Negative Nancies.

“The Dogs” is the opening track from their 2018 EP “You Do You”. It begins with the disturbing repetition of the title phrase for quite a while before the music kicks in. It’s slow and sombre at first, full of ominous feedback and distortion. Then, out of nowhere comes a great melodic tune incongruously teleported in from some 1960s girl group chart pop hit. The way it seamlessly layers over the heaving noisy drone of the song is pure genius.

“You Do You” is a disturbingly brilliant collection of baffling and wonderful music in the finest tradition of boundary pushing art-pop. The EP contains six exhilarating, brilliant, perplexing, provocative, melodic and hugely enjoyable songs, each with a heart of twisted, mutant, wild-yeast-fermented pop.

The EP seems to exist in it’s own little universe, sounding like pretty much nothing else happening in Dunedin or in New Zealand at the moment.  Well apart from Richard Maybe’s Passion for Nature, which is a duo comprised of Emilie Smith and Tess MacKay of Negative Nancies. Third member of the Negative Nancies is Mick Elborado, better known for his links to a previous generation of deviants in The Terminals.

NZMM 2020

Too Tone NZ Music Month

Shop display of re-purposed NZ Music Month poster at Too Tone Records (2010-2017) in Dunedin.

Our New Zealand Music Month song for day # 18 is from “Dunedin’s finest. Anxious polka-punk. Alt-fizz. Subgressive fun-time fantasiangst” trio Negative Nancies. It’s from their thrilling and essential debut EP “You Do You” and the song is “I Wish”:

Negative Nancies “You Do You” is a disturbingly brilliant 6 song EP. “I Wish” alternates between a plaintive desire to remedy unconscious repetitive behavior (“I wish, I wish, I didn’t grind my teeth at night/ I wish, I wish, I didn’t hold my jaw so tight”) set over a galloping whip-crack beat and a rapid spiraling descent into a deeply weird nightmare of distorted keyboards, feedback bass and a cauldron of swirling voices. Negative Nancies music is natural noisy exploration and expression rather than an arch noise-art project and the EP ought to be resonating radio, speaker and headphone frequencies around the world.

Negative Nancies EP turntable.jpg‘Tis the season to share end of year lists. There’s plenty of lists to chose from, so rather than adding to the list of lists for 2018, over the next week PopLib will suggest some essential releases to explore and hopefully purchase or send to friends as gifts.  So here we go…

One essential 12″ EP every home should have this year is Negative Nancies’ “You Do You” on 12″ EP from the ever-adventurous CocoMuse Releases, or as a digital download via their bandcamp.

“You Do You” is a disturbingly brilliant collection of music, in the form of a debut EP from “Dunedin’s finest anxious polka-punk, Alt-fizz, subgressive fun-time fantasiangst” trio. There’s only 6 songs but those 6 songs are as baffling and wonderful as anything I’ve heard in my lifetime of listening to and wondering about baffling and wonderful music. Fire Engines, Amos and Sara, And The Native Hipsters, all come to mind as baffling and wonderful music makers I’ve enjoyed, and right now I’m enjoying Negative Nancies debut EP as much as anything I’ve enjoyed by those artists.

“You Do You” starts with “The Dogs” which begins with the repetition of “the dogs, the dogs, the dogs…” for quite a while before the music kicks in. It’s slow and sombre at first, full of ominous feedback and distortion. Then, out of nowhere comes a great melodic tune incongruously teleported in from some 1960s girl group chart pop hit. The way it seamlessly layers over the heaving noisy drone of the song is pure genius.

“G.O.S.T.” is next. If you don’t really appreciate songs with gleeful singalongs like “we’re going to get our shit together, we’re gonna get our shit in a great big pile, we’re gonna get our shit together, you’re gonna smell our shit from a mile, from a mile, from a fucking mile”  then this may not be the release for you or your loved ones to spend Christmas with. However, I find something deeply cathartic about singing along to that, loudly and often at this time of year.

“Candy Milk” is the radio friendly pop single on the EP, the kind of song which would have been a fixture on John Peel’s radio show had it arrived on earth during his DJ tenure on BBC Radio 1 in the UK. It is ridiculously catchy pop, alternating singalong candy-pop punk with grainy computer game cascading keyboard volleys and a bit of low-key psych weirdness to leaven the song’s lurching see-sawing ride.

On side two “Jeden Dwa” starts with what may be a Polish folk song, then the grainy crushing feedback noise and drum beats kick in, while voices sing and mumble indecipherable phrases like some kind of a ritualistic incantation attempting to exorcise evil spirits but only succeeding in coaxing even more howls of unholy feedback from the possessed sound equipment.

“I Wish” is a further variation in this ever-changing world, alternating between a plaintive desire to remedy unconscious repetitive behavior (“I wish, I wish, I didn’t grind my teeth at night/ I wish, I wish, I didn’t hold my jaw so tight”) set over a galloping whip-crack beat and a rapid spiraling descent into a deeply weird nightmare of distorted keyboards, feedback bass and a cauldron of swirling voices. This kind of dreams-into-nightmares weirdness is prime Residents territory, but I prefer Negative Nancies natural noisy exploration and gleeful expression which sounds genuine rather than an arch art project.

“Fun Fun Fun” concludes this exploration of noise and melody with a short and simple self-explanatory song which builds up a head of steam and screams to an abrupt stop. Can’t be having too much fun, fun, fun, right? It’s all (this song, the whole EP) too short really, but also the perfect length to play it twice each time you listen to it.

These are six exhilarating, brilliant, perplexing, provocative, melodic and hugely enjoyable songs, each with a heart of twisted, mutant, wild-yeast-fermented pop. “You Do You” seems to exist in it’s own little universe, sounding like pretty much nothing else happening in Dunedin or in New Zealand at the moment. It is PopLib’s EP of the year, against intense competition from the skewed pop brilliance of Glasgow’s Hairband who released their debut EP on the label of Glasgow record shop Monorail Music.

 

Negative NanciesNegative Nancies are a noisy pop ensemble from Dunedin and “Candy Milk” here is from their debut 12″ EP “You Do You” which is released on 23 November on Christchurch arts&crafts label CocoMuse Releases.

“Candy Milk” has all the lurching anti-pop anarchy of Scottish post-punks Fire Engines, as it morphs from in-yer-face singalong punk blast, through spooky psych experimental zones, adding a dash of helter-skelter computer game soundtrack keys, and back again, to add up to one of the best unconventional pop hits to emerge from Dunedin.

In their own words: “Debut EP from Dunedin’s finest. Anxious polka-punk. Alt-fizz. Subgressive fun-time fantasiangst.”  The band seems refreshingly free of much in the way of online/ ‘social media’ presence so what you hear is what you get. And that’s plenty to chew on for the time being until the EP arrives and the remaining tracks are available.