Archives for posts with tag: motorik
Beaches by Darren Sylvester

BEACHES (photo by Darren Sylvester)

Continuing the heavy psych theme, here’s a blissful Sunday Psych-out fuzzfest called “Arrow” from Melbourne five-piece band BEACHES:

BEACHES have just released (September 2017) a double album of ultra-melodic psychedelic rock called “Second of Spring”. Actually, it’s a bit more than *just* psych rock, as the double LP format allows the band to mix their usual 60s/ 70s psych-rock via German 70s experimental motorik and 80s New Wave goodness with even more shoegaze melodic pop stylings to great effect, as “Arrow” here shows.

Some songs may even remind anyone who has established a long-running relationship with Australian alternative guitar music (guilty here) of the fuzzy melodic power-pop goodness of the likes of 80s/ 90s bands The Hummingbirds or Someloves. To my ears BEACHES more natural propulsive and joyful psychedelic stylings are way more preferable than the over-worked self-indulgent noodling of some of their much more vaunted Australian psych-rock contemporaries. Enough said!

BEACHES are Antonia Sellbach on guitar and vocals, Alison Bolger on guitar and vocals, Ali McCann on guitar and vocals, Gill Tucker on bass and vocals and Karla Way on drums and vocals.

They’ve been playing and releasing singles, EPs and albums as BEACHES since 2008. You really ought to dig back into their catalogue for stunning gems like the 2013 release “She Beats” which features even more motorik psych+melodic fuzzrock wonders.

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Kikagaku MoyoJapanese sonic adventurers Kikagaku Moyo are back with a new album called “Stone Garden” out 21 April. Here’s the pulsating kaleidoscopic swirl of “In a Coil” to set your mind on fire:

Kikagaku Moyo came to PopLib’s attention a few years ago with the beautiful album “House in the Tall Grass” which mixed heavy-psych rock, Krautrock and more pastoral acoustic psych-folk together into an accessible album.

This track is the only preview track available for the new album so we’ll have to take the word of their label – Guru Guru Brain – that this album is more experimental, built around lengthy improvised jams. “In a Coil” comes over like the most frantic passages of the previous album condensed into one mesmerising 6 minute trip through space and time, a quivering sitar coda adding an Eastern air to this Neu! influenced pulse of cosmic music. It’s an understatement to say this is a promising introduction to the new album.

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MarineVille from the cover of their “Face” 7″ from 2012 on Epic Sweep Records

MarineVille hail from Wellington and play a raw and distinctively New Zealand version of “driving rock” music. “75 Watts Frosted” is the opening track from their 4th album “Penguins Ate My Chips” which is out in a few weeks on LP on Zelle Records.

The line-up of the band which recorded “Penguins Ate My Chips” is led by guitarist/ vocalist Mark Williams and includes a few names folks may remember from some other NZ bands. Denise Roughan (Look Blue, Go Purple, 3Ds) plays bass, Greg Cairns (The Renderers, The Verlaines, Constant Pain) plays the drums, and Jeremy Coubrough (Tlaotlon) plays  keyboards.

“75 Watts Frosted” is a rip-snorting opening track. Part motorik beat, part wild fairground ride. Imagine Deep Purple’s “Highway Star” mixed with The Sweet’s “Ballroom Blitz” played by the Able Tasmans and you are on your way to understanding the loopy genius of this classic slice of urban New Zealand storytelling rock and roll.

“Penguins Ate My Chips” was originally self-released by Williams in 2015 on cassette. The LP version (out 15 March 2017) on Austrian label Zelle Records, which specialises in Southern NZ sounds, is a suitable acknowledgement of an album that fits comfortably into the beer and sweat-stained fabric of the NZ alternative rock underground.  The download also contains the live album 15 Wax Tears, recorded in 2011 and originally released on cassette in 2012.