Archives for posts with tag: CocoMuse Releases

AJ Sharma

“Red is the Colour” is a wonderfully odd, unsettling and dark track from the new album “Tabla Diablo” by Dunedin avant-folk musician AJ Sharma.

If very early Bonnie “Prince” Billy/ Palace Brothers is your thing, or the singular vision of Dunedin’s Alastair Galbraith, step right into the world of AJ Sharma. He’s a fellow traveler in fractured and direct outsider music, played simply, obeying no rules save the ones he makes himself.  Guitar, voice, and the atmosphere created by those sounds vibrating the air in a room, as recorded expertly in its raw honesty by Forbes Williams.

“Red is the Colour” features an additional vocalist adding a kind of ghostly backing vocal. It sounds like a very small child. It’s more unsettling than cute though, possessing the song with an disturbing otherness. Perfect of course for the atmosphere of an AJ Sharma album, described by label CocoMuse Releases as: “An assemblage of real life characters all dealing with death in their own way: Art Teachers, Outsiders, Rock-Gods, Poets, Prophets, Trees, Stars, Tortoise, Bar-Flies, Friends, Family, Cosmic Forces, Visionaries and the Unknown.”

I have a 7″ lathecut by AJ from over 20 years ago, recorded in Invercargill, release 1994. In between times he has been part of the fabulous late 1990s/ early 2000s Dunedin band Jetty and released an album called “Santo” in 2008 “The Road Back” in 2010 and “You are a Traveler” in 2013.  There have been other small run lathe cut singles and tracks on compilations… usually hard to find.

AJ Sharma’s “Tabla Diablo” album (LP) is available in Europe from Zelle Records and in NZ and the rest of the world from CocoMuse Releases.

 

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OV Pain_LPDunedin keyboard/ drum/ voices dueo OV Pain have just released the LP format of their dark and thrillingly weird first album and it’s something to behold. Here’s the wonderful “Soon to Be” to draw you in to their (under)world:

The album was recorded at the Anteroom in Port Chalmers and mixed and mastered by local legend Forbes Williams. OV Pain are Renee Barrance (Élan Vital) and Tim Player (Opposite Sex).

The more-or-less-live recording in a big hall gives it a real sense of space and place – simultaneously open and echoing but also imbued with the chill and claustrophobia of some large underground crypt, where these dark tales and timeless sounds are performed with a kind of chanting, ritualistic possession.

This is haunted music, lost souls finding other lost souls, meditations on the darkness around us and within us.  It’s a bit theatrical and weird, mixing post-punk, psychedelia, prog-rock, synth-pop, with magic and witchcraft.

Gloominess has never sounded this colourful, this alive, this thrilling and this essential.

Surfdog_seafog12Day 30 of our 31 Days of May New Zealand Music Month marathon comes from Port Chalmers (above), formerly home to Xpressway Records and still home to many Dunedin musicians. Here’s local musician Francisca Griffin with “Falling Light” –

If you are thinking “that sounds a bit like Look Blue Go Purple” then that may be because two of the three musicians playing on this track are former members of Look Blue Go Purple. Francisca Griffin was Kathy Bull back then, and she’s joined here by LBGP guitarist Kath Webster.

The third musician is drummer Gabriel Griffin – Francisca’s son. You’d normally hear him providing the scattershot rhythms behind the inimitable free-form experimental improv drum & woodwind ensemble Sewage.

“Falling Light” has the kind of freshness and instantly recognisable light and airy guitar tones of its place of origins. Psychedelic folk perhaps, Southern NZ style, and in some respects as reminiscent of David Kilgour’s solo music as it is of LBGP.

It’s a track from a forthcoming album set for release on CocoMuse Releases this year.

Motte 2017Day 14 of our 31 days of May New Zealand Music Month marathon comes from Christchurch sonic adventurer Motte. Here’s the entrancing and hypnotic “Opal Eye”

Motte’s “Strange Dreams” album is a favourite release of the year so far. The modernist classical violin-based music hypnotises with repetition and unlikely combinations of instrument layers, voice and ambient synths and sounds. Here’s it’s the voice of and the background of street noises which slowly builds as the song progresses.

There’s a time to take a risk and push your music collection out in new directions. “Strange Dreams” is a highly recommended way to do that. Better still, track down the LP version from CocoMuse Releases.