SaturationsHere’s an atypical track called “Run Electro” from a new album called “Saturations” by New Brighton, Christchurch musician Blair Parkes.

“Run Electro” is an attention-grabbing song, bursting with luminous colour and surging along on an insistent rumbling bass line with phased distorted organ swirls, like a kind a super-charged Stereolab on steroids.

It’s a bit of an odd one out on a curiously sequenced album which seems to morph from reflective guitar folk-pop at the start into more effect-driven shoegaze territory before exploring even deeper into electronic synth-pop.  It’s not the sort of album you can dip into for a quick listen here and there and come away with a sense of what it is all about. It rewards the full journey.

“Saturations” is a curiously timeless collection of songs. The first 4 songs of the songs could fit comfortably in the late 80s/ early 90s NZ/ Australian reflective guitar pop scene, while the second half of the album crackles with more electronic energy, sometimes reminiscent of UK synth-pop band Frazier Chorus.  Both halves of the album are bursting with fine songs.

 

Listening to this Blair Parkes album has sent me on a trip back to NZ pop underground of the late 1980s. Keen students of obscure Flying Nun Records releases may recognise Blair from All Fall Down (FN0989) and The Letter 5 (FN169).

Parkes’ blog post here on the All Fall Down years is also a fascinating insight into the life of a young musician playing in an obscure ‘2nd wave’ Flying Nun Records band in the mid to late 1980s in New Zealand.

As a bonus here’s the Bats-meets-Triffids styled perfection of All Fall Down’s “Black Gratten” from 1987:

 

 

 

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