PeskDay 7 of the 31 Days of May New Zealand Music Month madness takes us to a dark echoing railway tunnel beneath Port Chalmers where Pesk are waiting for “When The Heavies Come”

I have no idea if Pesk recorded this in a railway tunnel under Port Chalmers at all. This is called ‘creative licence’. Or, ‘fakes news’ as it’s called now. In simpler times it was just called ‘making things up’.  Anyway, it’s a long way of saying this recording sounds huge and cavernous and also a bit ominous, like the rumble of an oncoming freight train. There’s a sludgy lumbering pulse to the riff which brings to mind some of those earliest Black Sabbath tunes like “Sweet Leaf” too which were all lower-mid frequencies and in no hurry at all.

This lovely fuzzy reverb drenched rumble is the work of the two humans making up Pesk. When they play live drummer Raff plays the synth with one hand and and electronic drumkit with the other three limbs. Guitarist and vocalist Amee provides the low frequency viscous guitar and the solemn vocal. It fills a room. It could so easily fill a railway tunnel too.

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